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“It’s been fun to watch with our daughters. Pauly, on the other hand, is more involved in art than music.
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Penny, 10, inherited the music gene, she’s been studying violin since age 4. Often they watch with their two daughters. The two musicians enjoy the novelty of seeing themselves and their colleagues on the computer or TV screen. Husband Burchard Tang, a viola player, is also a member of the Philadelphia Orchestra. She’s not the only musician in the family. I also have sisters and relatives, and lots of friends, in California.” “It’s pretty amazing that she can just watch on her computer. “She’s in California and she’s been watching every single concert and loving it,” said Lee. “It’s opened our eyes to a lot of places in our community that I never would have known about.”Īnother “fun thing” during this challenging season has been the chance for family and friends far from Philadelphia to enjoy the concerts, including Lee’s mother, Kathy Lee.
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“It was such a fun thing, and this series is truly a gem that came out of this horrible year,” she continued.
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You could hear them meowing,” said Lee “Our recording crew plus the manager were the only humans besides us. “It was an animal shelter, and we played in a room with cats in their small cages. The site was the Philadelphia Animal Welfare Society (PAWS). Naturalization Services, the Share Food Program, and Urban Promise.įor Lee, one especially memorable experience was a performance on April 5 with two of her colleagues, violinist Juliette Kang and violist Kirsten Johnson. They have included headquarters for the U.S. Small groups of musicians present concerts at varied venues that are firsts for them. Whenever the musicians get together, the string instrument musicians are tested weekly for COVID-19, and winds and brass players are tested twice weekly since they can’t wear masks because they use their mouths to play their instruments.īeside the scheduled concerts for the entire orchestra, this season also involves a new series titled Our City, Your Orchestra. “But now, there’s not as much plexiglass as at the start.” “It was difficult to hear each other at first, especially because we were so distant,” said Lee. Then, too, there’s the plexiglass separating the musicians. It’s because of the need for spacing, so that we all feel safe.”īy now, Lee’s accustomed to performing with a mask. “Normally, it’s ten cellos for most pieces, but now it’s just three cellos. “One of the big challenges for string players is that we have to perform with seriously reduced string players,” said Lee. “Īs with all the concerts since the pandemic was declared, the musicians have entirely new challenges. “And it’s great that the orchestra is showcasing works by new composers. The program opens with the Philadelphia Orchestra debut of a piece for chamber orchestra, “Concerto Grosso” by contemporary composer Michael-Thomas Fourmai. “It also has a wide range, so it can be extremely soft or it can blow your ears out.”
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“It’s a huge instrument that they’ll bring out onstage, and has a huge sound,” said Lee.